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1952
At the Bristol Old Vic Julian Slade and Dorothy Reynolds's
Christmas in King Street (cowritten with James Cairncross)
caused a deal of excitement; eight years later it was transformed
into a West End edition, Follow That Girl. The hard-worked Eric
Maschwitz came up with a musical that displayed the talents of
Jean Carson, Love from Judy, adapted from a popular novel
by Jean Webster, Daddy Long Legs. It made a star of Carson,
but she didn't stay in Britain. Bet Your Life was a modest
affair hoping for a broad appeal, with a libretto from Alan Melville
and music by Charles Zwar and Kenneth Leslie-Smith. Its main
draw was Arthur Askey, who helped it run for the best part of
a year without the show ever becoming really popular. On Broadway,
Ethel Merman had barnstormed her way through Irving Berlin's
Call Me Madam. London got to see the less legendary Billie
Worth, but it ran well. Lovers of intimate revue were well catered
for. The little Bells of St. Martin's had the charms of
Hattie Jacques accompanied by Douglas Byng and a pleasing company,
but didn't stay long. The Globe Revue was made of stronger
stuff, with a cast that represents the Golden Age of this type
of show: the names included Dora Bryan, Ian Carmichael and Joan
Heal. The material was from practised hands such as Coward, Richard
Addinsell, Arthur Macrae, Paul Dehn and Donald Swann. For belly-laughs
and leggy chorus-girls there was the undemanding Excitement at
the Casino and Paris to Piccadilly with Norman Wisdom.
Both had long runs. Even longer-lived was the Crazy Gang's Coronation
variety revue, Ring Out the Bells, but even this was outstripped
by London Laughs which starred Tony Hancock, Jimmy Edwards
and Vera Lynn. A Norwegian 'revue' had a cast list and, presumably,
a plot, but Rendezvous nevertheless insisted on being
known as a revue. Theatregoers resisted the opportunity to see
Diana Dors (as one Doreen Downe), Chili Bouchier and Walter Crisham
going through their motions. Televariety sounded like
giving in to the power of the small screen. It was a curious
assembly of people that included the grumpy game-show personality
Gilbert Harding, Joan Turner and the legendary Northern comic
Frank Randle. Their audience remained at home waiting for them
to come back on television.
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