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Cole Porter - the definitive biography by William McBrien (Harper Collins, £17.99)
 
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'the queue of handsome associates was endless…'
Porter was alive when Hollywood made his biopic, Night and Day, in which Cary Grant played a heterosexual composer whose marriage was his central happiness. Dishonest, of course, but, despite his homosexuality, Porter's union with his wife Linda was indeed the rock on which he stood. Naturally wealthy, Porter might have gone through life a dilettante, but even at Yale he was writing songs that showed at least a promise of something better. Working at musical theatre, he contributed scores to flop after flop, until success beckoned. The catalogue of achievement was tremendous. Will there ever be a time when 'Night and Day' or 'I get a Kick out of You' are not considered some of the greatest lyrics of all time?

The price to be paid was too much. Linda's fabulous riches could not prevent her lifelong invalidism, painfully charted throughout McBrien's warm and caring book. When Porter was crippled by a riding accident, he too began a life of pain, against the background of which it becomes too easy to understand the melancholia of so much of his work. Often separated by long distances from Linda, Porter maintained a lifelong passion for young men, his fondness for them usually consolidated when he introduced them to Linda, whose understanding of her nymph errant husband seems to have been limitless.

The queue of handsome associates was never-ending: for Porter, a life that consisted of giving away countless gold cigarette cases. Linda's death was a catastrophe that marked the beginning of his own end, the closing down of an existence in which he had little interest.

McBrien's book improves immeasurably as it gathers momentum. We hardly glimpse Porter the person in the first well-chronicled hundred pages, but the later years come off the page with a poignancy that is almost too strong. Aficionados of musical theatre might want rather less rudimentary and well-worn facts about such popular shows as Kiss Me Kate and more meaty material about Porter's many clinkers, but McBrien doesn't mess with a serious reassessment of his hero's work.

Shortly before his death, Porter was asked what he would miss most about life. He replied, 'My Queen Anne chairs'. The saddest thing is that one believes he meant it.

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