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pomp and some circumstance … an over-blown musical about Henry II's troubles …

THOMAS AND THE KING

Book by Edward Anhalt. Lyrics by James Herbert
Music by John Williams
Original London cast: James Smillie, Lewis Fiander, Dilys Hamlett, Caroline Villiers, Michael Sammes, Richard Day-Lewis, Tom Saffery
SONGS: Processional; Look Around You; Am I Beautiful?; Man Of Love; The Question; What Choice Have I?; We Shall Do It!; Improbable As Spring; Power; Consecration; 'Tis Love; Sincerity; The Test; Replay The Game; A New Way To Turn; Will No One Rid Me?; So Many Other Worlds
In a Paris CD mega store, I was sad to discover that, in among a tired little selection of 'comedies musicale' on sale, was the recording of the musical that fluttered very briefly at Her Majesty's Theatre in October 1975. It's hard to come to terms with the fact that Parisians might be misled into thinking that out of the many hundreds of musical plays to be recorded, this tiresome concoction (recorded in 1981, with Lewis Fiander as Becket joining members of the original cast) has been singled out for their consideration. One can only think that the name of its composer, John Williams, carries all before it. In his stupendous career, Thomas And The King will deservedly remain a footnote. Making a musical out of the troubled relationship between Henry II and Thomas a Becket is a hill that the writers can't climb; the score is portentous and pompous. The village girls gambolling through the opener, 'Look Around You', establish the quality of what is to follow, through Caroline Villiers' mawkish query 'Am I Beautiful?' to a final number, Henry's tortured 'Will No One Rid Me?'. It recalls the worst excesses of the French Revolution in Two Cities, which had Sydney Carton bringing down the curtain with 'It's A Far, Far Better Thing.'

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